Tim Mitchell

Tim Mitchell makes his COC debut as the lighting designer for Ariadne auf Naxos. His operatic and dance credits include Die Fledermaus (Welsh National Opera); Die Frau ohne Schatten (Golden Mask Award Nomination for Best Lighting of an Opera production) and Elektra (Mariinsky Theatre); The Marriage of Figaro, Requiem Ballet and Don Giovanni (Kammeroper); Carmen Negra (Icelandic Opera); The Snowman (Korea/Sadler’s Wells/Tour); Cleopatra, Hamlet, Dracula (National Ballet Theatre); and, The Lady and The Fool (Birmingham Royal Ballet). His theatre credits include The Secret Garden (Edinburgh Festival Theatre/Royal Alexandra Theatre, Toronto); Dirty Dancing (West End/Toronto/Hamburg/Utrecht/U.S. tour/Berlin); The Pajama Game (West End/Toronto); Cinderella (Old Vic); Sleeping Beauty (New York/Barbican/Young Vic); Henry IV Parts I & II (Washington Shakespeare – Helen Hayes Award nomination); The Play What I Wrote(Broadway/West End); Merrily We Roll Along (Donmar); Hamlet (Japan/Sadler’s Wells); Yes Prime Minister, Imagine This, Bad Girls The Musical, Otherwise Engaged, As You Like It, Romeo and Juliet, and Of Mice and Men (West End), as well as numerous productions for the Royal Shakespeare Company, Chichester Festival Theatre, and Almeida Theatre.