It's clear that Violetta and Alfredo are very much in love in our current production of La Traviata, but did you know that for singers Ekaterina Siurina and Charles Castronovo this love extends beyond the stage? We caught up with the married duo to find out more about the pair behind the performance. Check out our Q&A with them below, and don't miss seeing La Traviata before it's gone on November 6, 2015!
Posted by Kiersten Hay / in La Traviata / comments (0) / permalink
Out of a pool of 120 aspiring opera singers from across the country, eight were selected to compete at Centre Stage: Ensemble Studio Competition on November 3, 2015, our annual celebration of the next generation of opera stars selected from nationwide auditions for the COC Ensemble Studio—Canada’s premier training program for young opera professionals. The competition features the young singers vying for cash prizes ranging in value from $1,500 to $5,000. We interviewed our eight young finalists to learn more—check out all of the interviews, linked by name as they become available, here (or here if on a mobile device).
Montreal-born baritone Bruno Roy is currently studying for his master of music performance at McGill University, where he also received his bachelor’s degree. His recent operatic credits include Count Almaviva in The Marriage of Figaro (Opera McGill); Matt in Crush (Banff Centre); L’Horloge/Le Chat in L’enfant et les sortilèges (Opera on the Avalon); Papageno in The Magic Flute(Blooming Voce Summer Opera Workshop); Masetto in Don Giovanni (FAVA Opera); and Raoul de Gardefeu in La Vie Parisienne(Opera Without Fences). In 2016, he appears as John Brooke in Little Women and Belcore in L’elisir d’amore at Opera McGill.
Posted by Kiersten Hay / in Centre Stage / comments (0) / permalink
Stratford, Ontario native and soprano Eliza Johnson studied at the University of Toronto, where her roles included Governess in The Turn of the Screw, Adina in L’elisir d’amore, Despina in Così fan tutte, Rob Ford’s Mother in Rob Ford: The Opera and Lucy in The Telephone. Additional credits include Susanna in The Marriage of Figaro (Highlands Opera Studio); Berta in The Barber of Seville and Soeur Valentine in Dialogues des Carmélites (Opera Theatre of St. Louis); Pamina in The Magic Flute (Opera Lyra’s Opera Studio); and concert appearances with the University of Toronto and Stratford symphony orchestras, and Stratford Summer Music. Recently, Ms. Johnson won First Prize in the Brian Law Opera Competition with the National Capital Opera Society and was a finalist for the Ryan Center at the Lyric Opera of Chicago.
Posted by Kiersten Hay / in Centre Stage / comments (1) / permalink
Sara Fulgoni in the COC production of Bluebeard's Castle. Photo: Michael Cooper © 2001